Melvyn Douglas

Melvyn Douglas

Melvyn Edouard Hesselberg icha Melvyn Douglas sutiyuq runaqa, (5 ñiqin ayriway killapi 1901 watapi paqarisqa Macon llaqtapi - 4 ñiqin chakra yapuy killapi 1981 watapi wañusqa New York llaqtapi) huk  HAM Hukllachasqa Amirika Suyukuna mama llaqtayuq aranway pukllaq qarqan.

Taytan: Edouard Gregory Hesselberg; Maman: Lena Priscilla Shackelford
Warmikuna: Rosalind Hightower (1925–1930) / Helen Gahagan (1931–1980).
Churinkuna: (3). Melvyn Gregory Hesselberg, Peter Gahagan Douglas (1933) and Mary Helen Douglas (1938)

Alma mater: Upper Canada College.

Pilikulakuna

• Esta noche o nunca (Tonight or Never) (1931), de Mervyn LeRoy.
• Prestigio (Prestige) (1932), de Tay Garnett.
• The Wiser Sex (1932), de Berthold Viertel wan Victor Viertel.
• The Broken Wing (1932), de Lloyd Corrigan.
• El caserón de las sombras (The Old Dark House), (1932), de James Whale.
• Como tú me deseas (As You Desire Me) (1932), de George Fitzmaurice.
• Sombras trágicas, ¿vampiros? (The Vampire Bat) (1933), de Frank R. Strayer.
• Nagana (1933), de Ernst L. Frank.
• El abogado (Counsellor at Law) (1933), de William Wyler.
• Woman in the Dark (1934), de Phil Rosen.
• Dangerous Corner (1934), de Phil Rosen.
• The People's Enemy (1935), de Crane Wilbur.
• Sucedió una vez (She Married Her Boss) (1935), de Gregory La Cava.
• Mary Burns, fugitiva (Mary Burns, Fugitive) (1935), de William K. Howard.
• Anne Oakley (Annie Oakley) (1935), de George Stevens.
• The Lone Wolf Returns (1935), de Roy William Neill.
• And So They Were Married (1936), de Elliott Nugent.
• The Gorgeous Hussy (1936), de Clarence Brown.
• Los pecados de Teodora (Theodora Goes Wild) (1936), de Richard Boleslawski.
• Women of Glamour (1937), de Gordon Wiles.
• Capitanes intrépidos (Captains Courageous) (1937), de Victor Fleming.
• La encontré en París (I Met Him in Paris) (1937), de Wesley Ruggles.
• Angel (Angel) (1937), de Ernst Lubitsch.
• I'll Take Romance (1937), de Edward H. Griffith.
• Arsène Lupin Returns (1938), de George Fitzmaurice.
• Siempre hay una mujer (There's Always a Woman) (1938), de Alexander Hall.
• The Toy Wife (1938), de Richard Thorpe.
• Fast Company (1938), de Edward Buzzell.
• That Certain Age (1938), de Edward Ludwig.
• La hora radiante (The Shining Hour) (1938), de Frank Borzage.
• There's That Woman Again (1939), de Alexander Hall.
• Tell No Tales (1939), de Leslie Fenton.
• Por un viaje a Paris (Good Girls Go to Paris) (1939), de Alexander Hall.
• Ninotchka (1939), de Ernst Lubitsch.
• The Amazing Mr. Williams (1939), de Alexander Hall.
• Demasiados maridos (Too Many Husbands) (1940), de Wesley Ruggles.
• He Stayed for Breakfast (1940), de Alexander Hall.
• Third Finger, Left Hand (1940), de Robert Z. Leonard.
• Esa cosa llamada amor (This Thing Called Love) (1941), de Alexander Hall.
• Un rostro de mujer (A Woman’s Face) (1941), de George Cukor.
• Lo que piensan las mujeres (That Uncertain Feeling) (1941), de Ernst Lubitsch.
• Our Wife (1941), de [John M. Stahl].
• La mujer de las dos caras (Two-Faced Woman) (1942), de George Cukor.
• We Were Dancing (1942), de Robert Z. Leonard.
• Todos besaron a la novia (They All Kissed the Bride) (1943), de Alexander Hall.
• Three Hearts for Julia (1943), de Richard Thorpe.
• Mar de hierba (The Sea of Grass) (1947), de Elia Kazan.
• The Guilt of Janet Ames (1947), de Henry Levin.
• Los Blandings ya tienen casa (Mr. Blandings Builds His Dream House) (1948), de H.C. Potter.
• My Own True Love (1949), de Compton Bennett.
• El gran pecador (The Great Sinner) (1949), de Robert Siodmak.
• Un Secreto de mujer (A Woman’s Secret) (1949), de Nicholas Ray.
• Odio y orgullo (My Forbidden Past) (1951), de Robert Stevenson.
• On the Loose (1951), de Charles Lederer.
• La fragata infernal (Billy Budd) (1962), de Peter Ustinov.
• Hud, el más salvaje entre mil (Hud) (1963), de Martin Ritt.
• La Americanización de Emily (The Americanization of Emily) (1964), de Arthur Hiller.
• La furia de los cobardes (Advance to the Rear) (1964), de George Marshall.
• Once Upon a Tractor (1965), de Leopoldo Torre Nilsson.
• Rapture (1965), de John Guillermin.
• Intriga en el Gran Hotel (Hotel) (1967), de Richard Quine.
• I Never Sang for My Father (1970), de Gilbert Cates.
• The Going Up of David Lev (1971), de James F. Collier.
• El candidato (The Candidate) (1972), de Michael Ritchie.
• Una mujer sin amor (One Is a Lonely Number) (1972), de Mel Stuart.
• Hollywood, Hollywood (That’s Entertainment, Part II) (1976), de Gene Kelly.
• El quimérico inquilino (Le locataire) (1976), de Roman Polanski.
• Alerta: misiles (Twilight’s Last Gleaming) (1977), de Robert Aldrich.
• Escalada al poder (The Seduction of Joe Tynan) (1979), de Jerry Schatzberg
• Bienvenido Mr. Chance / Desde el jardín (Being There) (1979), de Hal Ashby.
• Al final de la escalera (The Changeling) (1980), de Peter Medak.
• Tell Me a Riddle (1980), de Lee Grant.
• Historia macabra (Ghost Story) (1981), de John Irvin.
• The Hot Touch (1982), de Roger Vadim.

Suñaykuna

Oskar Suñay

• Mejor aranway pukllaq ripartu
  • 1963 Hud
  • 1979 Being There

Kaypipas qhaway

• Greta Garbo
• Elia Kazan
• Roger Vadim
• Helen Gahagan

Hawa t'inkikuna

• Commons nisqaqa multimidya kapuyninkunayuqmi kay hawa: Melvyn Douglas.
• IMDb Melvyn Douglas
• Ufisyal Web Site