Rikcha:Velazquez-Meninas.jpg
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Qallariy willañiqi (865 × 985 iñu; willañiqip chhikan kaynin: 128 kB; MIME laya: image/jpeg)
Kay willañiqiqa kay uranpi yapa willasqakunapas Wikimedia Commons sutiyuq chawpi midya hallch'amantam ch'aqtasqa. | Commons nisqapi ch'uyanchana p'anqaman |
Este archivo ha sido reemplazado por File:Las Meninas, by Diego Velázquez, from Prado in Google Earth.jpg. Se recomienda usar el otro archivo. Nota: este archivo no será borrado a menos que sea explícitamente propuesto para ser borrado.
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Pisichay
Diego Velázquez: Las Meninas | |||||||||||||||||||||||||
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Ruraq (kapchiq) |
artist QS:P170,Q297 |
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Título |
Las Meninas |
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Object type | pintura | ||||||||||||||||||||||||
Género | retrato grupal | ||||||||||||||||||||||||
Personas retratadas | |||||||||||||||||||||||||
P'unchaw |
1656 icha 1657 date QS:P571,+1656-00-00T00:00:00Z/8,P1319,+1656-00-00T00:00:00Z/9,P1326,+1657-00-00T00:00:00Z/9 |
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Técnica |
óleo sobre tela medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensiones | 318 × 276 cm | ||||||||||||||||||||||||
Colección |
institution QS:P195,Q160112 |
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Número de inventario |
P001174 (Museo del Prado) |
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Lugar de creación | Ispaña | ||||||||||||||||||||||||
Exhibition history | |||||||||||||||||||||||||
Referencias |
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Control de autoridades | |||||||||||||||||||||||||
Pukyu/rikcha hap'iq | www.oneonta.edu - "Las Meninas" | ||||||||||||||||||||||||
Saqillay (Kay willañiqita musuqmanta llamk'achiy) |
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Huk musuqchasqakuna |
Posición de la cámara | 40° 24′ 49,68″ N, 3° 41′ 31,2″ O | Ubicación de esta y otras imágenes en: OpenStreetMap | 40.413800; -3.692000 |
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Elementos representados en este archivo
representa a Español Simi
Las Meninas Español Simi
representación digital de Español Simi
Las Meninas Español Simi
coordenadas del punto de vista Español Simi
40°24'49.7"N, 3°41'31.2"W
tema principal de la obra Español Simi
Las Meninas Español Simi
Willañiqip wiñay kawsaynin
P'unchaw/pacha nisqapi ñit'iy chaypacha willañiqi kachkasqata qhawanaykipaq.
P'unchaw/Pacha | Uchuylla rikchacha | Chhikanyachikuqkuna | Ruraq | Willapuy | |
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kunan | 18:23 25 phi 2009 | 865 × 985 (128 kB) | Calliopejen1 | Reverted to version as of 19:32, 28 November 2004 - broke imagemap template in use in en.wiki | |
17:26 22 ini 2009 | 1378 × 1611 (540 kB) | Paris 16 | |||
21:30 21 ini 2009 | 1378 × 1700 (1,83 MB) | Paris 16 | |||
19:32 28 nuw 2004 | 865 × 985 (128 kB) | Stw | "Las Meninas" by Diego Velázquez |
Maypim willañiqita llamk'achinku
Kay rikchamanqa manam ima p'anqakunachu t'inkimun.
Mayqin wikikunapi willañiqita llamk'achinku
Kay wakin wikikunam willañiqitaqa llamk'achinku:
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Metadata
Kay willañiqipiqa aswan sapaqlla willaymi, iliktruniku rikchahap'inawanchá, iskanirwanchá icha rikcharurana wakichiwanchá yapasqa. Willañiqi chaymantapacha hukchasqa kaptinqa, huk sapaq samiqninkuna chinkasqachá.
JPEG willañiqi rimapuy | VELÁZQUEZ, Diego Rodriguez de Silva y
(b. 1599, Sevilla, d. 1660, Madrid) Las Meninas 1656-57 Oil on canvas, 318 x 276 cm Museo del Prado, Madrid This is a composition of enormous representational impact. The Infanta Margarita stands proudly amongst her maids of honour, with a dwarf to the right. Although she is the smallest, she is clearly the central figure; one of her maids is kneeling before her, and the other leaning towards her, so that the standing Infanta, with her broad hooped skirt, becomes the fulcrum of the movement. The dwarf, about the same size as the Infanta, is so ugly that Margarita appears delicate, fragile and precious in comparison. On the left in the painting, dark and calm, the painter himself can be seen standing at his vast canvas. Above the head of the Infanta, we see the ruling couple reflected in the mirror. The spatial structure and positioning of the figures is such that the group of Las Meninas around the Infanta appears to be standing on "our" side, opposite Philip and his wife. Not only is the "performance" for their benefit, but the attention of the painter is also concentrated on them, for he appears to be working on their portrait. Although they can only be seen in the mirror reflection, the king and queen are the actual focus of the painting towards which everything else is directed. As spectators, we realize that we are excluded from the scene, for in our place stands the ruling couple. What seems at first glance to be an "open" painting proves to be completely hermetic - a statement further intensified by the fact tbat the painting in front of Velázquez is completely hidden from our view.
Author: VELÁZQUEZ, Diego Rodriguez de Silva y Title: Las Meninas Time-line: 1601-1650 School: Spanish Form: painting Type: portrait |
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