Rikcha:Cameron Mitchell studio portrait c. 1940s.jpg
Kay ñawpaq qhawariypa chhikan kaynin: 527 × 599 iñu. Huk huyakukuna: 211 × 240 iñu | 422 × 480 iñu | 651 × 740 iñu.
Qallariy willañiqi (651 × 740 iñu; willañiqip chhikan kaynin: 73 kB; MIME laya: image/jpeg)
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Kay willañiqiqa kay uranpi yapa willasqakunapas Wikimedia Commons sutiyuq chawpi midya hallch'amantam ch'aqtasqa. | 
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Commons nisqapi ch'uyanchana p'anqaman |
Pisichay
| T'iktuna |
English: Cameron Mitchell studio portrait c. 1940s |
| P'unchaw | c. early 1940s |
| Pukyu |
eBay Front and back |
| Ruraq | Unknown; MGM studio portrait |
Saqillaspa
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Este archivo se encuentra en el dominio público en los Estados Unidos porque fue publicado en ese país entre los años 1929 y 1977 (ambos incluidos) sin haber indicado un aviso de derechos de autor. A menos que su autor haya fallecido años antes, se mantiene bajo propiedad intelectual en los países o zonas que no aplican la regla del plazo más corto para las obras estadounidenses, como Canadá (50 años p.m.a.), China continental (50 años, a excepción de Hong Kong o Macao), Alemania (70), Suiza (70), México (100) y otros países con reglas particulares. Vea esta página y este diagrama como referencia e información.
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English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject.
- As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary." - Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." - Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible." - Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
"[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."
Willañiqip wiñay kawsaynin
P'unchaw/pacha nisqapi ñit'iy chaypacha willañiqi kachkasqata qhawanaykipaq.
| P'unchaw/Pacha | Uchuylla rikchacha | Chhikanyachikuqkuna | Ruraq | Willapuy | |
|---|---|---|---|---|---|
| kunan | 01:35 28 nuw 2018 | | 651 × 740 (73 kB) | Drown Soda | Crop/enhance |
| 01:35 28 nuw 2018 |  | 965 × 1198 (168 kB) | Drown Soda | Front | |
| 01:35 28 nuw 2018 |  | 801 × 1028 (79 kB) | Drown Soda | User created page with UploadWizard |
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