A thin man wearing grey clothes is walking, holding his hat in his left hand. In his right hand he is holding a stick fending off an angry dog. On his back he is carrying a large basket. This type of basket was normally used by peddlers in the 16th century in the Netherlands. To the left an inn (and possibly also a brothel). To the right a path leading into a field where a cow and a magpie seem to watch the man. Above the man, in a tree, an owl is gazing at a great tit. In the background a gallows stands on a hill.
29 ñiqin sitimripi 1930 watapi p'unchawpa 30 ñiqin sitimripi 1930 watapi p'unchawpapas chawpin
date QS:P,+1930-09-00T00:00:00Z/10,P1319,+1930-09-29T00:00:00Z/11,P1326,+1930-09-30T00:00:00Z/11
: purchased by Jacques Goudstikker (comerciante de arte), Amsterdam, at the sale of the collection of Albert Figdor at Cassirer, Berlin, lot no. 41, for 385 000 DEM
Catalogue des nouvelles acquisitions de la collection Goudstikker, Jacques Goudstikker, Amsterdam, 8 ñiqin nuwimripi 1930 watapi–13 ñiqin disimripi 1930 watapi, Rotterdamsche Kunstkring, Rotterdam, 20 ñiqin disimripi 1930 watapi–3 ñiqin inirupi 1931 watapi, cat. no. 3.
Jeroen Bosch, Noord-Nederlandsche primitieven, Museum Boymans, Rotterdam, 10 ñiqin hulyupi 1936 watapi–15 ñiqin uktuwripi 1936 watapi, cat. no. 57, p. 34-35, ill. 76.
Bijbelsche Kunst, Rijksmuseum, Amsterdam, 8 ñiqin hulyupi 1939 watapi–8 ñiqin uktuwripi 1939 watapi, Cat.no. 124a, p. 106, ill. 6.
La peinture Hollandaise de Jérôme Bosch à Rembrandt/Hollandse schilderkunst van Jeroen Bosch tot Rembrandt, Paleis voor Schone Kunsten Brussel, Brussel, 2 ñiqin marsupi 1946 watapi–28 ñiqin awrilpi 1946 watapi, cat. no. 13.
Middeleeuwse kunst der Noordelijke Nederlanden, Rijksmuseum, Amsterdam, 28 ñiqin hunyupi 1958 watapi–28 ñiqin sitimripi 1958 watapi, Cat.no. 71, p. 80, ill. 42.
Jheronimus Bosch, Noordbrabants Museum, 's-Hertogenbosch, 17 ñiqin sitimripi 1967 watapi–15 ñiqin nuwimripi 1967 watapi, cat. no. 36, p. 132, with color image on p. 51, as De Landloper, 71 × 70,6 cm.
Van Eyck to Bruegel, 1400-1550. Dutch and Flemish painting in the collection of the Museum Boymans-van Beuningen, Museum Boymans-van Beuningen, Rotterdam, 1994, ISBN9789069181370, Cat.no. 16, p. 90-95.
Jheronimus Bosch, Museum Boijmans Van Beuningen, Rotterdam, 1 ñiqin sitimripi 2001 watapi–11 ñiqin nuwimripi 2001 watapi, cat. no. 6.1a.
The collection enriched, Museum Boijmans Van Beuningen, Rotterdam, 16 ñiqin awrilpi 2011 watapi–30 ñiqin awrilpi 2013 watapi, no catálogo.
Hieronymus Bosch. Visions of genius, Het Noordbrabants Museum, 's-Hertogenbosch, 13 ñiqin phiwrirupi 2016 watapi–8 ñiqin mayukillapi 2016 watapi , ISBN9780300220131
Adquisición
Purchased with support of Vereniging Rembrandt, D.G. van Beuningen, F.W. Koenigs y J.P. van der Schilden
Fierens-Gevaert, [Hippolyte] (1912) ‘Jérôme Bosch’, Les Primitifs Flamands. Volume II, Bruxelles: G. van Oest & Cie., p. 177, no Rikch'a, as Enfant prodigue, collection Figdor.
Friedländer, Max J. (1969) Early Netherlandisch Painting. Volume V. Geertgen tot Sint Jans and Jerome Bosch, Leyden: A.W. Slijthof, Brussels: La Connaissance, p. 87, cat. 103, as The Prodigal Son.
Koldeweij, A.M., P. Vandenbroeck en B. Vermet (2001) Jheronimus Bosch. Alle schilderijen en tekeningen, Rotterdam: NAi Uitgevers, Gent/Amsterdam: Ludion, ISBN90-5662-219-6, p. 29, as Marskramer, 1494chá
date QS:P,+1494-00-00T00:00:00Z/9,P1480,Q5727902
or later, 71 × 70,6 cm, with color image.
Koldeweij, Jos, Paul Vandenbroeck, Bernard Vermet (2001) Hieronymus Bosch. The Complete Paintings and Drawings, Ghent/Amsterdam: Ludion, ISBN0-8109-9064-4, p. 88, as Pedlar.
Marijnissen, Roger H. ([1987]) Hieronymus Bosch. Het volledige oeuvre, Haarlem: Gottmer/Brecht, ISBN90-2300-651-8, p. 410, as De zogenaamde Verloren Zoon.
Esta es una reproducción fotográfica fiel de una obra de arte bidimensional de dominio público. La obra de arte misma se halla en el dominio público por el motivo siguiente:
Public domainPublic domainfalsefalse
Este material está en dominio público en los demás países donde el derecho de autor se extiende por 100 años (o menos) tras la muerte del autor.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
La postura oficial de la Fundación Wikimedia considera que «las reproducciones fieles de obras de arte bidimensionales de dominio público forman parte del dominio público». Esta reproducción fotográfica, por ende, también se considera de dominio público dentro de los Estados Unidos. Es posible que otras jurisdicciones restrinjan la reutilización de este contenido; consúltese Reutilización de fotografías PD-Art (en inglés) para más detalles.
Kay willañiqipiqa aswan sapaqlla willaymi, iliktruniku rikchahap'inawanchá, iskanirwanchá icha rikcharurana wakichiwanchá yapasqa. Willañiqi chaymantapacha hukchasqa kaptinqa, huk sapaq samiqninkuna chinkasqachá.
.jpg)
